200 Frames is a holographic work that explores the interplay between space, time, and perception. Composed of 200 images embedded into a stereogram hologram, the piece unfolds as the viewer moves along the horizontal axis. A golden picture frame—literal, yet anchoring—remains a constant, shifting naturally with the viewer’s perspective. Behind it, bursts of fireworks bloom and dissolve in unexpected rhythms.
The fireworks, vivid against a black void, behave in ways that defy linear time—sometimes moving forward, sometimes reversing—creating a visual logic all their own. This manipulation of time, layered with shifting space, transforms a simple act of viewing into something more physical and performative. As one friend described it, engaging with the work becomes a kind of dance: “the holo shuffle.”
The piece was born out of a desire to embrace holography not just as a medium, but as a language—to let it speak in ways only it can. In 200 Frames, space and time are not just represented, they are experienced, entangled in a single act of looking. The result is something between memory and moment, presence and illusion—a quiet invitation to move, to watch, and to wonder.
The Hologram is now part of the Jonathan Ross Collection.